Встреча с легендой.

Critical Mass Top 50, 2007
Preston Wadley


And Then...And Then...


The Colonial Gaze

Preston Wadley
prestonwadley.com

•
Pentimento are a series of objects in book form incorporating mixed media and are specifically photograph(y) dependent. Pentimento represents a personal re-examination of life/history through the filter of what I know now. Formally, I seek to contextualize found/fabricated objects and selected photographs into a juxtaposition that illuminates lived experience and personal truth. Pentimento is evidence of change, of historical revision and reflection on the connection to what has already been and an ever-evolving present.

*
Critical Mass Top 50, 2007
http://www.photolucida.org/cm_winners.aspx

Title: Magnum Founders, In Celebration of Sixty Years
Edition: 75 numbered copies, plus 7 hors commerce
Size: 14 x 16 inches
Platinum Prints: 12 bound, 1 free-standing
Pre-publication Price: $14,500
Editions Remaining: 13

http://www.versoeditions.com/Magnum_SalesSheet_GRS.pdf

Luminous-Lint:

Online exhibition — Magnum Founders, In Celebration of Sixty Years:

Verso Limited Editions has released a limited edition hand-bound photography collection of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. This collector’s book celebrates the 60th anniversary of Magnum Photos, a photographic co-operative founded by these four men. An introduction with biographies of each of the photographers is included in this exhibition.

http://www.luminous-lint.com/app/vexhib ... _01/1/0/0/


Henri Cartier-Bresson, Alicante, Spain; 1933
[Magnum Founders] 1933 (taken) 2007 (publication)
Platinum print, bound into a book, 14 x 16 in

A special honor was created this year for a remarkable and unique submission to POYi. The judges and director conferred the first "Distinguished Leadership in Photojournalism Award" in recognition of "Magnum Founders: In Celebration of 60 Years" and the member photographers who have guided the development of photojournalism since the founding of Magnum. The distinction honors the publishing house of Verso Limited Editions, the photo agency of Magnum Photos, and the preeminent photojournalists Robert Capa, Henri Cartier-Bresson, George Rodger, and David Seymour.



The Platinum Prints
All images in Magnum Founders are hand printed in platinum by Stan Klimek on Fabriano Artistico, a traditional 100% cotton watercolor paper. Each print is then individually stamped by the photographer’s estate. The collection includes twelve bound prints (three from each photographer) and one free-standing 14" x 16" print by Robert Capa which is numbered and suitable for framing. Books purchased during the pre-publication period will also include a fourteenth print (free-standing) by George Rodger. The Cartier-Bresson prints in Magnum Founders are the only estate-stamped prints issued since his death in 2004.

The Text and Binding
The text of Magnum Founders is composed in Walbaum and Helvetica Neue by the Press & Letterfoundry of Michael & Winifred Bixler. It is printed on 100% cotton Hahnemühle Photo Rag by Michael Russem at Kat Ran Press. Each book is hand-bound in quarter-leather by Mark Tomlinson featuring distinctive red Japanese crepe endsheets, red leather endbands and a unique cover construction of black and red laminated paper boards.

Designed by Skolkin + Chickey, the collection is encased in an English buckram clamshell and presented in a custom-crafted walnut box suitable for display.

http://www.versoeditions.com/home.html

POYi 65 Winners POYi 65 Winners List | Winners Gallery

65th Annual Pictures of the Year International Awards

Newspaper Photographer of the Year
Magazine Photographer of the Year
World Understanding Award
Global Vision Award

http://www.poyi.org/65/winners.html

Luminous-Lint:

Online exhibition — Magnum Founders, In Celebration of Sixty Years:



Об издании, биографии, список работ:

http://www.luminous-lint.com/app/vexhib ... _01/2/0/0/


Chim
Bernhard Berenson, American art collector of Lithuanian origin,
looking at Pauline Borghese by Antonio Canova, Borghese Gallery,
Rome, Italy; 1955 [Magnum Founders]
1955 (taken) 2007 (publication),
Platinum print, bound into a book, 14 x 16 in

http://www.luminous-lint.com/app/vexhib ... 498877266/

Galerie Esther Woerdehoff, выставка работ

Laurence Demaison
07.05.08-19.07.08



http://www.ewgalerie.com/+TEXTS/PRESSE/Demaison_08.pdf

http://www.ewgalerie.com/about/Artists/ ... aison.html

Hill Smith Gallery

Marian Drew


Marian Drew
Pelican on Paper and Linen
Medium: archival pigment on hahnemule cotton paper
Dimensions: 70 cm x 90 cm
Numbered 9 of 10
$3,300

Marian Drew was born in Australia in 1960 and studied visual art at Canberra School of Art from 1980 -1984. Drew studied in Germany, Experimental Photography, Kassel University, post graduate studies 1984-1985 and has been Senior Lecturer, Photography Art Practice , at the Queensland College of Art from 1986 to current.

From 1983 to 2007 Marian Drew has held twenty one solo exhibitions in Australia, the United States, France and Germany.

Artist Statement "Every living Thing"
"In 2002, I travelled to Germany, where I studied the still life paintings in museums and in particular an extensive collection at Wilhelmshoehe, in the city of Kassel. On my return home these ideas united with the imagery of the animals I saw killed on roads in Australia. in the course of daily life these native animals are killed by cars, domestic pets or power lines and are easily found scattered beside the roads through our urban environments.

This new perspective made me question our existing relationship to wild animals, the wealthy landowners in Renaissance Europe believed that the abundance of nature was there for human consumption. I found correlations to these ideas whithin the local attitudes to wildlife that are killed in the drive for urban expansion and economic growth.

By imitating the historic painted forms of the 'Still Life', but replacing paint with photographic verisimilitude, and familiar European animals with Australian native species, a discord is exposed.

This work aims to overlay the historical and the present, the European with the antipodean and photography with painting, while exploring contemporary notions of death and a changing relationship to animals."

http://www.hillsmithgallery.com.au/arti ... arian.html

http://www.hillsmithgallery.com.au/stoc ... works.html

George Steeves, Splanzani, 1990
silver print, MCPC's collection

The Centre international d'art contemporain de Montréal presents, from January 15 through March 15, 1998, the exhibition George Steeves : 1979-1993. The exhibition draws on the Canadian Museum of Contemporary Photography's extensive collection of nearly one hundred works representing six series.

Throughout his career, Steeves has worked with escalating intensity and unsparing self-incrimination. Deeply interested in the power of photography to express the most personal of emotions, he has mined the people and places around him, documenting their secrets, scandals and dilemmas. Layered on their volunteered confessions are his own as partner, instigator and voyeur.

George Steeves: 1979-1993 includes extended portraits of performance artist Ellen Pierce, dancers Angela and Duncan Holt, and writer Astrid Brunner - portraits done at the request of the subjects, involving a long-term collaboration with the photographer. It also includes personal explorations of Steeves himself, through self-portraits and photographs of the people and places around him …

http://www.ciac.ca/en/expos-steeves.html

Автор уже попадался, но ссылку вот что-то я не вижу…

We Can’t Paint Blog:

Last week I found out that I received a nice little package in the mail from Canadian photographer George Steeves, a response to my post on anonymous artists in Canada. Not only did this bundle include a letter from Steeves (a nice break from the usual e-mail I always receive; I’m sending one George!) and a huge amount of info surrounding his distinguished practice, but Steeves was kind enough to send me a signed catalog from his 2007 solo show at MSVU Gallery, excerpts from his monumental series Excavations.

Be careful/осторожно:

http://wecantpaint.com/log/?p=1043

Exposure Online Magazine™ - Photographer: George Steeves



One of Canada's great photographers, George Steeves has the anonymity in his native country that afflicts many of the Great White North's best artists. Unless you are an aficionado of contemporary Canadian photography you will have probably never heard of the man. But once you are introduced to his work (especially his more erotic and intimate series of works starting with Ellen Pierce in 1981) you will be irreversibly changed.

Born in Moncton, New Brunswick in 1943, Steeves has made Halifax his home since 1973. A self taught artist, he began his education with an 8 X 10 view camera back in the early 70s focusing on landscape photography. He worked at the Bedford Institute of Oceanography after receiving his engineering degree at various post secondary institutions including Carleton University in Ottawa. He retired in 2006.

A meeting with performance artist Ellen Pierce at the MSVU Art Gallery in 1981 made Steeves change his focus from the outdoors to the expressionism of the human body. Called Pictures of Ellen it is one of Steeves most recognizable series of shots. Since the Pierce shots, Steeves has gone on to work with Astrid Brunner, Lianne Heller and Tim Dunn among others.

Because George Steeves creates long term relationships with his subjects (spending more time away from the camera creating lasting and close relationships) his photographs are best described as very intimate and vulnerable. None of his subjects can be considered model-like, and Steeves doesn't try to hide any physical flaws (if you can call the marks on your body from living and aging a flaw) so his pictures can also be difficult to view. Uncomfortable and perhaps voyeuristic, vulnerable, grotesque, sexually explicit, erotic, graphic and beautiful are a few of the adjectives attributed to his work…



http://www.fullspectrumottawa.com/expos ... hoice=html

George Steeves

…Probably because of the often erotic nature of his pictures, he has worked largely in obscurity within his own community. A 1989 exhibit at the Nova Scotia College of Art and Design was publicly opposed and posters were removed. After the show ended, his works were damaged when they were removed from the walls.[3] A 1993 exhibition at the Canadian Museum of Contemporary Photography in Ottawa was more successful. His work has also been shown at the Louisiana Museum of Modern Art in Denmark and the Saidye Bronfman Centre for the Arts in Montreal. A thirty-year retrospective exhibition was mounted at Mount Saint Vincent University Art Gallery in 2007. His works are included in the collections of the National Gallery of Canada and Mount Saint Vincent University.

Ссылки:

* Sue Carter Flynn, The Coast, "Elementary: Self-taught photographer George Steeves has been taking provocative shots—of artists, of lovers, of himself—for more than three decades", February 22, 2007
* Mount St. Vincent Exhibition (includes examples)
* Two images - Shakespeare in Canadian Art
* Bedford Institute

Films

* Portrait of the Artist as His Muse (2003 film)
* Race is a Four Letter Word (stills credit)

http://en.wikipedia.org/wiki/George_Steeves

Photographic Literature & Photographs

Swann Auction Galleries, Inc
USA. New York, -


BELLMER, HANS. Les Jeux de la Poupée. Text by Paul Éluard. Illustrated with 15 hand-colored silver prints by Bellmer and 2 small mounted hand-colored cut-outs (on the title page and front cover). 4to, original publisher's black wrappers with mounted vig

On Thursday, May 15, Swann Auction Galleries will conduct their annual spring sale of Photographic Literature & Photographs. This large, two-part auction features many rare and sought-after photo books, and select works by important 20th-century photographers.

The Photographic Literature section is extraordinary and features items from the Library of David Raymond, whose Surrealist photographs were recently acquired by the Cleveland Museum of Art. Among the books from this collection are Hans Bellmer's Les Jeux de la Poupée, with 15 hand-colored silver prints and two small hand-colored cut-outs illustrating the artist's well-known eroticized doll, one of 142 numbered and signed copies, Paris, 1949 (estimate: $75,000 to $100,000); Claude Cahun's Aveux non Avenus, with 10 reproductions of photo-collages by Cahun and Marcel Moore, one of 500 numbered copies, Paris, 1930 ($6,000 to $7,000); and George Hugnet's La Septième Face du Dé, Poèmes-Découpages, with reproductions of 20 photo-collages, several in color, inscribed twice by Hugnet, and accompanied by two prospectuses announcing the sale of the book, Paris, 1936 ($10,000 to $15,000).

Among the rarest and most coveted examples of photographic literature are issues of Alfred Stieglitz's influential publication Camera Work. This auction offers two issues of the magazine that showcase the work of Paul Strand: Number 48, with six of Strand's Modernist images of New York, 1916 ($12,000 to $18,000); and Number 49/50, the rare final issue, with 11 photogravures by Strand, in a boards box that displays Strand's and Stieglitz's handwritten notations, New York, 1917 ($15,000 to $25,000). These publications were once in the collection of Milton Brown, an art historian and friend of Strand's.

Весь текст:
http://photography-now.com/popup_ausst_ ... gen=T59858

PHOTOGRAPHIC LITERATURE & PHOTOGRAPHS

http://www.swanngalleries.com/full.cgi? ... sch_id=401

Каталог (много редких фотографий/иллюстраций):

http://www.swanngalleries.com/full.cgi? ... sch_id=401

См. специально:

Swann Auction Galleries Photographs Department

http://www.swanngalleries.com/photo_graphs.cgi

NewsLetter:

http://www.swanngalleries.com/text_trumpet2.cgi

http://www.swanngalleries.com/archive2.cgi

Laurie Simmons, Big camera, Little camera
• from IN AND AROUND THE HOUSE, the complete early b/w photographs, 1976-78

IN AND AROUND THE HOUSE
Laurie Simmons
Carolina Nitsch Project Room
New York, 17 May-28 Jun 2008

Carolina Nitsch is pleased to present IN AND AROUND THE HOUSE, the first comprehensive survey of Laurie Simmons' early black and white photographs from 1976-78 at her Project Room in Chelsea, New York.

This seminal body of work put Simmons at the forefront of a new generation of artists, predominantly women, whose photographic works began a new dialogue in contemporary art.


Laurie Simmons, Woman's Head,
from IN AND AROUND THE HOUSE, the complete early b/w photographs, 1976-78

…Simmons, while sharing strategies with the artists known as the Pictures Generation - Cindy Sherman, Richard Prince, Louise Lawler and Sarah Charlesworth - and their documentation and appropriation of cultural memory, forged her own identity more closely aligned with surrealism and artists such as Man Ray, Rodchenko, Bellmer and Gordon Matta Clark's mysterious black and white photograph collages that documented his 1970's "building cuts".


Laurie Simmons, Dollhouse Window
from IN AND AROUND THE HOUSE, the complete early b/w photographs, 1976-78

Simmons' use and manipulation of dolls and interiors, marked by intentional dislocations and unexpected conjunctions, created a nonlinear narrative and abstract pictorial plane that echoes the skewed images of personal memory and dreams. Her subjects, which swell with a faux-tone of a simple, safe and secure home life, feel as relevant today as when Simmons first shot them.

Laurie Simmons has exhibited widely in the United States and Europe. She has had more than a dozen solo exhibitions in New York City…

Весь текст:
http://photography-now.com/popup_ausst_ ... gen=T60914

Знакомые все лица, напомню:


Font, 2007, from Heat
Pigment print
86 x 63cm, edition of 8 + 2 AP

Pat Brassington
Stills Gallery
AUS.Sydney, 14 May-14 Jun 2008


The Best Move
pigment print, 80 x 56cm
edition of 8 + 2 AP


Lucid
pigment print, 80 x 56cm,
edition of 8 + 2 AP

Текст:
http://photography-now.com/popup_ausst_ ... gen=T60912

Stills Gallery


Torsion, 1992
Gelatin silver prints
50 x 36cm (set of six panels), edition of 1


http://www.stillsgallery.com.au/artists/brassington/

Nessuna onda può pettinare il mare
Fotografia Italiana arte contemporanea
I. Milano, 21 May-19 Jun 2008

Ну, с такой изрядной финской составляющей…

Nanna Hänninen
http://www.pulse-art.com/exhibit/91/p4036.jpg
http://www.pulse-art.com/london/pulse-l ... &artist=91
http://www.nannahanninen.com/

Maarit Hohteri
http://www.fotofinlandia.fi/sivusto/index.php?kuvaaja=7
http://www.proza.com.ua/print/?6290
http://www.helsinkischool.fi/helsinkisc ... hp?id=9014
http://troleybuh.livejournal.com/249833.html

Ola Kolehmainen
http://forum.znyata.com/viewtopic.php?p ... =ola#24600

Marco Campanini

Lo Specchio e il Mito - 280308, 2003, Lambda print on Kodak Endura paper, 100 x 150 cm
(different sizes available within the same limited edition) Ed. of 7 + 1 a. p.

http://www.marcocampanini.com/works.html

Alessandra Spranzi
http://www.artnet.com/artist/15958/ales ... ranzi.html

Silvio Wolf
http://forum.znyata.com/viewtopic.php?p=22712#22712

http://www.fotografiaitaliana.com/home.asp

Поиск легенд (архивные фотографии и успамины приветствуются), спасибо всем, кто уже помог, это университетский локальный проект о прошлом и возможном будущем, любая помощь — весьма ценна:

студия-2, студия-3

http://forum.znyata.com/viewtopic.php?t=5103

Elene Usdin
guillaume de dos

На EYEMAZING — по прежнему только «Авторы»… Но по-прежнему любопытно любопытно с точки зрения статусов и карьер…

И вот, не то, чтобы в связи с выставкой

”Личные вещи”, http://forum.znyata.com/viewtopic.php?t=4285 ,

но в значимой мере…

Elene Usdin

http://www.eleneusdin.com/

http://www.valeriehersleven.com/photogr ... dphotog=16

http://www.yourshot.eu/photographe.php?membre=12


la mariee

http://2photo.ru/2007/07/20/fotograf_elene_usdin.html

Elene Usdin in EYEMAZING Magazine

http://www.yourshot.eu/blog/2008/03/ele ... magaz.html

http://www.eyemazing.com/

*

Не забывайте про вот этот журнал, с чего-то ведь надо начинать по дороге до EYEMAZING…

Photo Essay
A Beautiful Nerd
By The Afflicted Yard
8 May 2008



http://jpgmag.com/stories/4219

«Личные вещи»:

Рядом

Далее по поводу «”Личных вещей”, http://forum.znyata.com/viewtopic.php?t=4285

Большое удовольствие и преимущество в том, что можно и сегодня, утром, когда дождь принес дивный запах вдобавок к полнолунной меланхолии, в полной тишине и одиночестве посмотреть выставку в холле на втором этаже… При всех проблемах с дневными освещением, которое убивает часть работ из-за бликов, это не кинотеатр «Победа» или прижатые к проходам показы в других местах в Минске…

Вставка сменила у нас затеянную под «Европейскую неделю» рабочую экспозицию, центром которой была цыганская серия Ирины М. ( http://forum.znyata.com/viewtopic.php?p=17172#17172 ) Серия эта весьма примечательна как первая очень взрослая работа, путь к которой был достаточно долгим и заслуживает поэтому отдельного разговора.

Время для взгляда на другую выставку в изнуряющей рутине начальных учебных вещей — не самое лучшее, «оптика взгляда», о которой любят рассуждать урбанисты, закрыта плотным фильтром, где видишь свет, тень, поверхность и баланс элементов картинной плоскости — не до Ахматовой.

С этой прагматичной точки зрения немощная академическая практика, в которой первичные признаки фотографии обусловлены главным образом отнесенностью к тому или иному прикладному жанру, а сама картинка делается методом упоенного перебора самотужно освоенных инструментов народной фотопрограммы — налицо.

Мне понравились две, наверное, все же еще и работа с зеркалом, три работы, которые, к счастью, преодолевают этот порог. Порог, при котором инструментально неадекватная плохая фотография дотягивается до уровня худобедной картинки — замечательная плоттерная печать, знаете ли, не спасает.

И когда не надо выстраивать целую систему соотнесенностей (три года такого не видели, в кинотеатре «Победа» такое впервые, ты сам так не можешь, вот она, подлинная красота, с умом, но без зауми, ну, это все же самое начало, хотели больше, но солнца не было…) упс…

Действия литературных практикантов-дизайнеров с компьютером на деликатном поле фотографии милы, спорны и сразу же вызывают острое желание придраться. Что, собственно, несмотря на гипнотизирующую речь о девушках-волшебницах, мы и видели, а кто и слышал вчера на открытии выставки во время перерыва на студенческой конференции.

Мои личные чувства, наверное, все же больнее и чуть комплекснее такого желания — Академия искусств по-прежнему втягивает и обманывает лучших, поэтому испытываешь жадную досаду от того, что ты сам работаешь со студентами часто очень талантливыми, но растерянными, разбросанными, где целеустремленность и фанатизм — понятия почти отсутствующие… или всегда, от природы, или уже ленивыми, неподъемными, циничными людьми, что уже нет тех вольных и доверительных собраний в студии на Калиновского, 50, что предательский поцелуй Иуды, полный любви, не вбрасывает новую жертву и демиурга в мир фотографии… увы.

(Думал же сколько раз себе: не ходи в эти ветки, ничего не говори…

http://forum.znyata.com/viewtopic.php?p=33166#33166 )

Дмитрий пишет:

«крайне советую всем сходить на эту выставку!, для меня эта выставка оказалась самой лучшей из тех, что я видел в этой галерее... глядя на работы, возникала мысль: "вот именно такого я бы и хотел добиться"... и на самом деле, минималистические чёрно-белые фотографии, средний формат (квадрат), большой размер принта.., необычный взгляд на совсем обычные вещи... никакого концептуализма и чистейшая визуальность!, ну и приятные впечатления о выставке завершает бесплатный каталог выставки, который можно получить в галерее... ещё раз, советую увидеть это!»

http://forum.ehunity.org/viewtopic.php?t=1977

Мне помнится по работам студентов на сайте Академии искусств в Вильнюсе инсталляция The Lightpress, но не поручусь… Да и работа фотографа тут буквальная — документация.

http://tomas.creep.lt/fineart/lightpress.htm

Страница автора в совместном предприятии:

Tomas Vyšniauskas

http://tomas.creep.lt/

Еще:

IN MEMORIAM
Henri Cartier-Bresson (1908–2004)

http://tomas.creep.lt/texts/hcb-body.htm

(на литовском)

Roma: Contrasts, 2004:



http://tomas.creep.lt/fineart/roma-sicilia.htm

Попутно, оттуда же:

First International Vilnius Art Photography Festival “In Focus”. Join us!

Union of Lithuanian Art Photographers is the main organisation in Lithuania which coordinates and develops the art of photography. Together with its partners it will organise the First International Art Photography Festival “In Focus” in Vilnius, Lithuania in September of 2008.

The main idea of the festival is to present the most important, interesting, and outstanding art photographers from Lithuania and abroad; to raise relevant fundamental questions about the theory and practice of photography. The festival “In Focus” will consists of number of exhibitions, international conference, evenings of photo sessions, and workshops. The bilingual catalogue also will be published.

Union of Lithuanian Art Photographers kindly invites everyone who wants to participate, to offer some idea or just to join us in organising the first international art photography festival “In Focus”.

Sincerely,
Eglė Deltuvaitė
Directress of International Vilnius Art Photography Festival

Источник: http://www.photography.lt/en.php/fest

*
PDN Photo Annual 2008 konkurse

Вот этот сайт был отмечен (Дариус Кузмицкас)

http://www.kudaphoto.com/

http://gallery.pdnevents.com/annual2008/

*
2008.05.15

Jan Bułhak. Vaikystės metų kraštas

Iš lenkų kalbos vertė Stanislovas Žvirgždas
Redaktorius Gediminas Mikelaitis
Dailininkas Arūnas Prelgauskas
© Lietuvos nacionalinias muziejus
Vilnius, 2008

UDK 8884,94
Bu 231
ISBN 978-9955-415-77-0

Šioje žinomo Vilniaus fotografo Jano Bułhako (1876-1950) knygoje publikuojami du literatūriniai kūriniai: atsiminimai Vaikystės metų kraštas ir aštuoniolikos novelių rinkinys Namai. Atsiminimai apima 1882–1886 metus, praleistus gimtajame Ostašino dvare. J. Bułhakas su meile aprašo pirmuosius atsiminimus, tėvus ir gimines, vaikiškus žaidimus, kelionių po Naugarduko apylinkes įspūdžius, svečiavimąsi kaimyniniuose dvaruose, mokymąsi namuose iki išvykimo į Vilniaus gimnaziją. Tai himnas gimtajai žemei, meilės išpažinimas tėvui ir motinai, kaimo gyvenimo apoteozė.

Autobiografinių novelių rinkinėlis – tai lyg ir spėjusių pagarsėti Fotografo kelionių po Vilnių ir apylinkes tęsinys, tik dabar grįžtama į vaikystės šalį.

*
Žurnalas FOTO Nr.2(4)

Начинается с Hiuston Fotofest 2008, а заканчивается — Pinhole paroda…

http://www.efoto.lt/naujienos/zurnalas_foto_nr_2_4

Jörg Colberg на Conscientious — с очень любопытной заметкой, просто необходимо читать, особенно в связи с попытками новых дискуссий:

New York Photo Festival: "2.0" (aka Nothing wrong with 1.0 really)



It's really just a coincidence that the man in this photo is holding his head while walking through Tim Barber's "Various Photographs". I could not have staged it any better, though. I think "Various Photographs" might be the worst photography show I have ever seen; and from what various photographer friends told me, there are lots of people who share this sentiment…

It completely escapes me how slapping together photography by 160 photographers (!) can be called "curating", even though I might be missing something, because, after all, we are being told it's "curating 2.0". But then, the "2.0" reminds me of what people were talking about in the not-so-distant past, when the internet bubble was taken as a sign of a "new economy", where the old rules of how to make money were not supposed to be valid any longer…

http://www.jmcolberg.com/weblog/2008/05 ... .html#more

http://www.robertwrightphoto.com/writing/?p=230

http://www.nyphotofestival.com/TheFuture.html

Победители:

Student Personal Fine Art Series - Anna Skladman
Student Personal Fine Art Single Image - Alana Celii
Student Book - Tiana Markova-Gold
Student Editorial Series - Tobias Kruse
Student Editorial Single Image - Gratiane de Moustier
Multimedia - Photo/Audio - Two Winners..."The Ninth Floor" by Jessica Dimmock & MediaStorm/"Curse of the Black Gold" by Ed Kashi & MediaStorm
Multimedia - Photo/Video - "Bearing Witness" a Reuters/MediaStorm Collaboration
Personal/Fine Art Series - Edgar Martins
Personal/Fine Art Single Image - Jessica Todd Harper
Editorial Series - Paula Bronstein
Editorial Single Image - Two Winners...Ibraheem Abu Mustafa & Adem Hadei
Photography Book - Amy Stein
Advertising Series - John Offenbach
Advertising Single Image - Jason Bell

http://www.newyorkphotoawards.com/

We Can’t Paint Blog:

I’ve been following Yvonne Todd’s work for a long time now and all of it is great. This New Zealand artist references fashion, product and commercial photography, all of which has a sinister undertone . The images themselves are always super clean, most utilize very effective Photoshop aesthetics to make interesting and beautiful photographs.

http://wecantpaint.com/log/?p=389

И снова я ссылку здесь не вижу, похоже, это не здесь, а на дистансе было недавно:

http://www.ervon.com/show.php?id=8

MEAT & LIQUOR
2006


NSTALLATION VIEW AT PETER MCLEAVEY GALLERY
March 2006

http://www.ervon.com/archive.php

*

http://wecantpaint.com/log/?paged=2

http://www.ervon.com/home.php

Мне понравились две, наверное, все же еще и работа с зеркалом, три работы, которые, к счастью, преодолевают этот порог. Порог, при котором инструментально неадекватная плохая фотография дотягивается до уровня худобедной картинки — замечательная плоттерная печать, знаете ли, не спасает.

Валерий Дмитриевич, это не плоттерная печать - это обычная фотобумага.